Every few years it seems as if the jazz media go out of their way to hype one young artist, overpraising him to such an extent that it is easy to tear him down when the next season arrives. In the early ’90s, Joshua Redman briefly became a media darling, but in his case he deserved the attention. A talented bop-based tenor man, Redman is a throwback to the styles of Red Holloway and Gene Ammons, but also has an inquisitive spirit and can play intriguing music when inspired. The son of the great tenor saxophonist Dewey Redman, Redman came in first place at the 1991 Thelonious Monk competition, landed a recording contract with Warner Bros., and was soon on the cover of most jazz magazines. In 1996, Joshua Redman recorded and briefly toured with Chick Corea’s “Tribute to Bud Powell” sextet; the solo Timeless Tales (For Changing Times) followed in 1998, and in 2000, he returned with Beyond. Passage of Time appeared in early 2001 and was followed by a lengthy tour of the U.S. The next year, Elastic appeared in stores with an uncharacteristically humorous sight gag adorning the cover. That also reflected on the music, which was more adventurous and playful than in the past, owing a debt to his electronica and experimental rock influences. In 2005, Redman released Momentum. Back East followed in 2007, with Compass arriving early in 2009. He released Walking Shadows in 2013. Redman continues to perform all over the globe.